- Soft Touch (music and sound for an immersive and interactive audiovisual installation directed by Alexandru Berceanu in collaboration with a team of artists)
2022
- A 24-Hour Sacrifice for Ending Draught (for performer and video)
- A 24-Hour Sacrifice for Ending Draught (for performer and video)
- Exercise for Instrumentalists #242 (for flute, clarinet in Bb, piano, violin, viola, violoncello, conductor, and live audiovisual recordings)
2021
- Lost Interferences (transmedia participatory theater/music performance, sound installation, and interactive website | in collaboration with Alexandru Berceanu, Maia Morgenstern, Romeo Cornelius, Irina Margareta Nistor, Prateek Verma, and Grigore Burloiu)
- Post-Music #33 (audiovisual composition)
- Lost Interferences (transmedia participatory theater/music performance, sound installation, and interactive website | in collaboration with Alexandru Berceanu, Maia Morgenstern, Romeo Cornelius, Irina Margareta Nistor, Prateek Verma, and Grigore Burloiu)
- Post-Music #33 (audiovisual composition)
2020
- Eight Postcards with Samples of Imaginary Music (for anyone to print and mail)
- happening (for line upon line percussison and me)
2019
- Concerto for Conductor and Orchestra (with video and live electronics)
2018
- The Making of "The Making of a Violin" (for Karen Bentley Pollick and video)
- Chord Optimization in Music Composition: Towards a Machine-Inspired Technique for Human-Based Performance (for ten performers, composer, electronics, live 360° video, and multichannel video)
- The Interpreters (for video-recorded actor and string quartet)
2017
- Fugue for Bells, Beans, and Bugs (for three performers, bells, beans, bugs, and video)
- Proof of Concept (for sextet, soundtrack, camera operator, and video)
- You Are My Happy Place (for three performers and GIFs)
- EMPMP (for RAGE Thormbones and video)
2016
- Knot an Opera! (for three sopranos, baritone, pianist/performer, electronics, and three-channel video)
- Encore (for flute, tenor saxophone, violin, violoncello, and conductor)
- Chapter 31, pages 415-926 (for string octet and video)
- Championship (for flutist, clarinetist, violist, performer, commentator, electronics, and video)
- The Odd Story of the Five Stubborn Insects (for reed quintet and reactive video)
2015
- Silent Song of the Soulful Sinusoids (metaphysical performance with video)
- The Ostrich Illusion (performative audiovisual installation for soprano)
- A Basic Piece in Constant Beat (for drum set, acoustic guitar, double bass, electronics and video)
- Fromforms (for cello, live electronics, and live video)
2014
- UNITED WE SAVE (for oboe, two clarinets, electronics, and video)
- Restore Failed With Errors (audiovisual performance)
- Monitoring Dreams (intermedia installation)
2013
- Transhumant (for mixed chamber ensemble, live electronics, and live editing of the homonymous short film by Simona Fitcal)
- Tell Me What To Do (for clarinetist, conductor, Kinect, live electronics, and live video)
2011
- Deadline (for chamber orchestra, live electronics, and film)
- Soulless (for two Disklaviers, electronics, and video mapping)
- Hide and Seek (for geographically displaced cello and prepared guitar, live electronics and stereoscopic video)
- I Could Have Chosen the Other Title (for me and another Me from a parallel universe)
2010
- Tutorial 7 (for horn, iPad, live electronics, and live video)
- Autoimmune Disorder (for violin, percussion, live electronics, and live video)
- Symptom 2.2 (for horn, live electronics, and live video)
- If some kind of intelligent life form would find the Voyager Golden Record that we sent in space and their audio playing device would "translate" everything by default in Bohlen-Pierce scale, then... (digital audio)
2009
2002
- Murder in a Glass (for piano)
- Ode (for horn and piano)
- Suite (for piano)
- Eight Postcards with Samples of Imaginary Music (for anyone to print and mail)
- happening (for line upon line percussison and me)
2019
- Concerto for Conductor and Orchestra (with video and live electronics)
2018
- The Making of "The Making of a Violin" (for Karen Bentley Pollick and video)
- Chord Optimization in Music Composition: Towards a Machine-Inspired Technique for Human-Based Performance (for ten performers, composer, electronics, live 360° video, and multichannel video)
- The Interpreters (for video-recorded actor and string quartet)
2017
- Fugue for Bells, Beans, and Bugs (for three performers, bells, beans, bugs, and video)
- Proof of Concept (for sextet, soundtrack, camera operator, and video)
- You Are My Happy Place (for three performers and GIFs)
- EMPMP (for RAGE Thormbones and video)
2016
- Knot an Opera! (for three sopranos, baritone, pianist/performer, electronics, and three-channel video)
- Encore (for flute, tenor saxophone, violin, violoncello, and conductor)
- Chapter 31, pages 415-926 (for string octet and video)
- Championship (for flutist, clarinetist, violist, performer, commentator, electronics, and video)
- The Odd Story of the Five Stubborn Insects (for reed quintet and reactive video)
2015
- Silent Song of the Soulful Sinusoids (metaphysical performance with video)
- The Ostrich Illusion (performative audiovisual installation for soprano)
- A Basic Piece in Constant Beat (for drum set, acoustic guitar, double bass, electronics and video)
- Fromforms (for cello, live electronics, and live video)
2014
- UNITED WE SAVE (for oboe, two clarinets, electronics, and video)
- Restore Failed With Errors (audiovisual performance)
- Monitoring Dreams (intermedia installation)
2013
- Transhumant (for mixed chamber ensemble, live electronics, and live editing of the homonymous short film by Simona Fitcal)
- Tell Me What To Do (for clarinetist, conductor, Kinect, live electronics, and live video)
2011
- Deadline (for chamber orchestra, live electronics, and film)
- Soulless (for two Disklaviers, electronics, and video mapping)
- Hide and Seek (for geographically displaced cello and prepared guitar, live electronics and stereoscopic video)
- I Could Have Chosen the Other Title (for me and another Me from a parallel universe)
2010
- Tutorial 7 (for horn, iPad, live electronics, and live video)
- Autoimmune Disorder (for violin, percussion, live electronics, and live video)
- Symptom 2.2 (for horn, live electronics, and live video)
- If some kind of intelligent life form would find the Voyager Golden Record that we sent in space and their audio playing device would "translate" everything by default in Bohlen-Pierce scale, then... (digital audio)
2009
- Two Persons You Don't Know Yet (for two laptops with Quintet.net)
2008
- Storm over a House in Leymen (for large orchestra)
- A Place Where the Dots Become Circles (digital audio)
- Another Equation in the Lorenz Attractor (for horn, orchestra, and live electronics)
2008
- Storm over a House in Leymen (for large orchestra)
- A Place Where the Dots Become Circles (digital audio)
- Another Equation in the Lorenz Attractor (for horn, orchestra, and live electronics)
2007
- Confetti Cannot Become Snow (for flute/piccolo, clarinet/bass clarinet, piano, marimba, violin/viola, and violoncello)
- This War Has Already Been Fought (for three horns, two trumpets, piano, and percussion)
- Romanian Potpourri (for flute, clarinet, tenor saxophon, trumpet, violin, viola, and violoncello)
- Confetti Cannot Become Snow (for flute/piccolo, clarinet/bass clarinet, piano, marimba, violin/viola, and violoncello)
- This War Has Already Been Fought (for three horns, two trumpets, piano, and percussion)
- Romanian Potpourri (for flute, clarinet, tenor saxophon, trumpet, violin, viola, and violoncello)
2006
- Baroque Reminiscences (for clarinet, bassoon, and violin)
- Baroque Reminiscences (for clarinet, bassoon, and violin)
- The Strange Story of the
Five Angry Insects
(for wind quintet)
- Confrontations with a Mathematician (for string quartet)
- Toy Soldiers (for trumpet and percussion)
- Confrontations with a Mathematician (for string quartet)
- Toy Soldiers (for trumpet and percussion)
2005
- I Could've Killed Him in the Jacuzzi (for bassoon)
- Pagan Call (for horn, violoncello, and piano)
- Dixtuor (for flute, oboe, clarinet, bassoon, horn, trumpet, and string quartet)
- I Could've Killed Him in the Jacuzzi (for bassoon)
- Pagan Call (for horn, violoncello, and piano)
- Dixtuor (for flute, oboe, clarinet, bassoon, horn, trumpet, and string quartet)
2004
- Concertino for Piano and String Orchestra
- Concertino for Piano and String Orchestra
- Poem on Wheels (for violin and piano)
- Sonata for Piano Nr. 2
- Gossip (for piano)
- Sonata for Piano Nr. 2
- Gossip (for piano)
2003
- Sonata for Piano Nr. 1
- Hidden World (for voice, clarinet, and piano)
- Oituz (for string quintet)
- Lauda Omului (for mixed choir)
- Oituz (for string quintet)
- Lauda Omului (for mixed choir)
- Shards (for piano)
2002
- Murder in a Glass (for piano)
- Ode (for horn and piano)
- Suite (for piano)